Drama

Sebastian

Helsinki-filmi

Barry Crerar

Lemming Film

Bêtes Sauvages

United Kingdom

Belgium

Finland

English

Français

Ruaridh Mollica

Hiftu Quasem

Jonathan Hyde

Ingvar E. Sigurðsson

Dylan Brady

Pedro Minas

Matthias Moret

Akbar Kurtha

Laurent Maria

Lara Rossi

Michael Jean-Marain

David Nellist

Leanne Best

Stella Gonet

Jamie Melrose

Fleur Keith

Marcus Macleod

Orlando Norman

Selina Boyack

Apphia Campbell

James Tarpey

Julian Firth

Lizzie Francke

Adwoa Akoto

Musa Lutfi

Tom Viaene

Ethan Moorhouse

Deanna Myers

Tom Hall

Peter Collins

Jade Sylvester

Matt Colyer

Charlotte Harwood

Maisie Brooker

Florence Tendi

Bénédicte Philippon

Toon Acke

Kimberley Mandindo

Valeria Roco

Anthony Sourdeau

Fanta Barrie

Tess Bryan

Yakup Uzun

Robin Declercq

Milla Harding

Ella Augustin

Elodie Barthels

Bret Easton Ellis

Ben Bradley

Florence Hebbelynck

James Matheson

Aleksi Bardy

Severi Koivusalo

Ciara Barry

David Claikens

Rosie Crerar

Mariyah Dosani

Marie-Elena Dyche

Erik Glijnis

Mike Goodridge

Philippa Nicholl

Leontine Petit

Dries Phlypo

Alex Verbaere

Ilari Heinilä

Iikka Salminen

Arttu Salmi

Katy Covell

Ollie Gilbert

Mikko Mäkelä

James Robert Benjamin Watson

Brent Marchant

Authors striving for authenticity in their work often engage in extensive background research, sometimes of a firsthand nature, to get things right. However, when it comes to writer-director Mikko Mäkelä’s second (and inexplicably much-applauded) feature, I have some serious reservations about its applicability here. This tale of a talented young London-based author of award-winning short stories and magazine pieces is embarking on his first novel, an inside exposé of the lives of gay male sex workers. To find out what these experiences are like, the ambitious emerging wordsmith, Max Williamson (Ruaridh Mollica), decides to investigate the subject by becoming an escort, arranging hook-ups through an internet website under the pseudonym “Sebastian.” But, the more involved he becomes in his research, the more he becomes consumed by it, unsure how to keep control over it. Strangely, though, there are also times when he’s apparently ambivalent about it, going to great lengths to keep both his hustling work – and even his sexuality – a secret. Is he trying to keep from being discovered by his clients and writing peers, or is he a closet case who, quite ironically, hasn’t fully come to accept himself (not even coming out to his own family)? In any event, he engages in a string of diverse encounters that leave him – and viewers – wondering about exactly where he’s going with all this, including a somewhat baffling, unexpected budding romance with an older gentleman (Jonathan Hyde). This plethora of mixed motivations is where the film gets itself into trouble, hopelessly meandering in multiple, seemingly contradictory directions, raising questions about what the filmmaker/screen writer actually had in mind, as well as how diligent he was in doing his homework in crafting the story. “Sebastian” thus often comes across like a series of sexual escapades with a poorly conceived story wrapped about them, many of which end up falling back on well-worn, outdated gay cautionary tale tropes. The film also incorporates some implausible developments involving the publishing business, stretching the picture’s credibility even further. In light of this, then, it’s hard to fathom how and why this offering has received as many accolades as it has, especially as a potential candidate for awards season recognition. In my view, this release needs major retooling, not only to provide a more focused narrative, but also to strengthen its character development to something more believable and something that generates a more viable audience connection. To be sure, there are many fine LGBTQ+ movies out there these days that are genuinely worthy of praise and recognition – but this overrated production certainly isn’t one of them.

CinemaSerf

“Max” (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of “Sebastian” but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don’t quite add up; timelines don’t quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn’t care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson’s “Daniel” seemed just too Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man’s increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it’s all too bitty. Worth a watch, but not what it could have been.

'Sebastian' with Ruaridh Mollica, Mikko Mäkelä & James Watson | Academy Conversations

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Sebastian

Cast & Crew

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Cast

Ruaridh Mollica

Hiftu Quasem

Jonathan Hyde

Ingvar E. Sigurðsson

Dylan Brady

Pedro Minas

Matthias Moret

Akbar Kurtha

Laurent Maria

Lara Rossi

Box office

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