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Mark Ruffalo

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Rachel McAdams

Liev Schreiber

John Slattery

Brian d'Arcy James

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Gene Amoroso

Doug Murray

Sharon McFarlane

Jamey Sheridan

Neal Huff

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Robert B. Kennedy

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Michael Cyril Creighton

Paul Guilfoyle

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Tim Whalen

Martin Roach

Brad Borbridge

Don Allison

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Siobhan Murphy

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Darrin Baker

Brett Cramp

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Rob deLeeuw

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Anthony Paolucci

Michele Proude

Richard O'Rourke

Len Cariou

Dennis Lynch

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Mark McGrinder

Richard Fitzpatrick

Tom Driscoll

Jeffrey Samai

Moira Driscoll

Forrest Weber

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Janet Pinnick

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Jennifer Ruth

Timothy Mooney

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Edward Brickley

Richard Jenkins

Elena Khan

Teresa Wilson

Amy Whalen

John Franchi

Peter Lewis Walsh

Lance Norris

Harold Rudolph

Colleen Kelly

Tom McArdle

Tom McCarthy

Masanobu Takayanagi

Josh Singer

Youtchi von Lintel

Kate Churchill

David Mizner

Wendy Chuck

Howard Shore

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Michael Bederman

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Pierre Omidyar

Tom Ortenberg

Jonathan King

Xavier Marchand

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Nicole Rocklin

Blye Pagon Faust

Brandon Terry

Shane Vieau

John Buchan

Maura Smith

Jenna Dayton

Ahmed Shehata

Mario Cacioppo

Philippe Majdalani

Adam Richards

Patrick Stepien

Dusty Reeves

Cathy Shibley

Michaela Cheyne

Patricia Keighran

Renee Fontana

Joseph Micomonaco

Kerry Barden

Taryn Walsh

Mike Barber

Vanessa Knoll

Nichole Pleau

Jason Knight

Dug Rotstein

Seacia Pavao

Colin Davies

Paul Schnee

Jason Dodds

Neishaw Ali

Kathleen Meade

James R. Mitchell

Paul Hsu

Matt Bouldry

Gilles Corbeil

Kerry Hayes

Daryl Richardson

Marko Costanzo

Morris Flam

Tom Starnes

Chad Birmingham

Jordan Samuel

Greg Wimer

Christa Tazzeo

Jennifer Dunnington

Brenda McNally

Karola Dirnberger

Virginia B. Johnson

Kelly Shanks

Joey Montenarello

Henry Tirl

Kayla Cabral

Mary Ramos

Frank Kern

Don McQueen

Bobby Beckles

Walter Gasparovic

John MacNeil

Jeff Poulis

Toni Wong

Marissa Littlefield

Mike Duffy

Stephen Gabis

Edward Hanrahan

Jeffrey Lee Gibson

Branko Racki

Robyn Rosenberg

Heather Gross

Elspeth Cassar

Jessica Drake

William Cheng

Christopher Geggie

Karl Denniston Brown

Nathan Alexander Kirk

Andrew Pang

Robert Racki

Branka Mrkic

Shawnna Thibodeau

Reno

> Uncovering the sins committed by whom the millions of people believe in.

A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about this movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made.

The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining.

A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real.

8/10

Andres Gomez

Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat.

First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of sensitivity put into the matter.

Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases.

For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.

This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film moving and horrific in parts.

I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant').

★★★★

Nutshell

A true account of the Boston Globe's investigative reporting on the vatican's approval of sexual predator priests over many decades. Disturbing to say the least. Excellent performances from Mark Ruffalo and Michael Keaton. It's easy for movies like this to get bogged down in the details but the pacing here is remarkably fluid, just a bit over 2 hours very well spent.

A friend recommended this film to me. I was reluctant because I am no big fan of Micheal Keaton. But I watched it anyway purely because of the disturbing subject matter. 

Clearly this cover-up resonates throughout the US a great deal, but living in England for most of my life I don't think the shocking revelations ever rang out much other than for a random story-line that probably got buried after the immediate events of 9/11.

I won't repeat the story here because other reviewers have already covered that; but what I really admired about the film was how very underplayed it felt throughout. The pacing, the somber soundtrack, the unhurried editing, even the narration all helped capture the suffocating mood of the story as it unraveled in shocking detail.

There was no histrionics that you sometimes get with films that are about to expose something deeply shocking. I am reminded of films such as "The Insider" and "All the President's Men" where the the lives of the investigators/victims/whistle-blowers are put into immediate danger by a "dark force" should they expose their findings to the public. 

But with Spotlight, such things were avoided. Instead everything was kept at a "civil" level between The Boston Globe and The Church, even though you could feel an underlying dread or threat simmering throughout. 

I particularly liked the ending because even though the story was published and the victims finally came forward before the credits rolled, there was no big fanfare declaring how wonderful the Spotlight team were in exposing this evil. Instead it left us with a reminder that the abuse of children by the RC church was (and probably still is) a world-wide problem; not helped when you learn that Cardinal Law was never arrested, but was later reassigned to a high ranking position in the Vatican, even though both he and the Vatican itself was perfectly aware of the crimes committed by the Church against innocent boys and girls.

Spotlight | Trailer 2 [HD] | Global Road Entertainment

Spotlight Film Clip "Looks The Other Way" #SpotlightMovie

Spotlight - "After The System" Film Clip #SpotlightMovie

Spotlight - "Control Everything" Film Clip #SpotlightMovie

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