Romance

Drama

山河故人

Shanghai Film Group

Xstream Pictures

ARTE France Cinéma

Beijing Runjin Investment

Office Kitano

Bandai Visual

Bitters End

MK Productions

China

France

Japan

广州话 / 廣州話

普通话

English

Mountains May Depart

Zhao Tao

Zhang Yi

Liang Jingdong

Dong Zijian

Sylvia Chang

Rong Zishan

Liu Lu

Zhubin Li

Liu Min

Jia Zhangke

Shôzô Ichiyama

Nelson Yu Lik-wai

Yoshihiro Hanno

Matthieu Laclau

Ren Zhonglun

Nathanaël Karmitz

Elisha Karmitz

Liu Shiyu

Masayuki Mori

Qian Jianping

Zhang Dong

Wang Hong

Juliette Schrameck

Wei Shiau

Kazumi Kawashiro

Yuji Sadai

Olivier Père

Rémi Burah

Liu Qiang

Zhang Yang

Lin Xudong

Wang Jing

Lin Tian

Jia Rui

Giovanni Jiabin O.

Xu Zhengyue

Li Meng

Xing Wanli

Jianhua Yin

Justine O.

Su Yongwei

Wang Yingliang

Ma Hemin

Rongguang Chen

Zhu Yunlong

Claire Patronik

Yan Qiaolu

Zhimin Chen

Wang Ganggang

Jian Zhou

Gao Xiang

Ren Pengfei

Mao Shuo

Zhang Zhihua

Zhang Yurong

Jia Wenyu

Clémentine Le Roy

Tian Liu

Wang Jian-Jun

Su Chang

Li Hua

Shinji Hashimoto

Reno

**Like a changing urban landscape, the humans as well!**

When everybody around me liked the director's previous film 'A Touch of Sin', I didn't. As a film fanatic, reject such kind of film is not an easy job without giving a proper reason. I thought that was a missed opportunity. I surely like art films, not the boring one like those aimlessly narrated. I really loved some of the scenes there, but here it was completely different. Most importantly, anybody would understand what the film is trying to say without trying too hard.

This is a theme where the China's rise was revealed from the three people's personal life perspective that was categorised to the three generations or the timelines. That's not it, the communism was also highlighted, how it held back the people's freedom. The writer was really smart to smoothly disclosing that to the world. I mean the film never dragged the China's ruling party or its system, but all were told from its character who struggled and if you use your brain, you will get it why.

The narration was divided into three episodes. The first one takes place in the year 1999, in a small town somewhere in the China which is economically backward. The story follows a young woman named Tao, who is caught in a love triangle. But for the practical reason, she has to choose one of them and when she does, the other guy leaves the town with the heartbroken. This is the foundation, that dragged for nearly 40 minutes. Obviously slow, but very realistic approach.

I grew up in the 90s, my country was not much different than what's in this film was shown. So I liked the atmosphere, all those the 90s set, the automobiles, lifestyle, the landscapes of the small towns et cetera taken me back to that time. But the thing is, it was China, society and culturally different. Anyway, it was past and what follows are totally flips the narration, including the perspective.

> "You know the hardest thing, about love is caring."

The second episode takes place in the year 2014, which is something like the present. It reveals what's the status of all the main three characters, like where they're economically standing and the personal life struggles. Tao's married life did not go well and her son is around ten years old who visits her from Shanghai. The one who left the town is now returned and battling for his life for some reason.

In the last 15 years, the China significantly changed and still, this entire part is set in the same town which is now economically moved forward. Like the changing urban landscape, how these characters too changed were what focused on this section.

Then comes the final episode where it is now in the year 2025, that takes place somewhere in the Australia. The perspective was changed, the little boy is now in his 20s, seems lost is root. With his behaviour, you would notice that his lack of knowledge about his ancestors. He who has the differences with his father, decides to make his life as he wanted. That is why the parents should take responsibility to teach their children all the good things about their culture and traditions, and to carry on, it's up to them. Because losing one's identity could lead to the failures in the life.

This is the part I liked better. Because it was something like what I encountered in my life. Most of the childhood memories that returns after we're grown-up as the deja vu, like the history repeating itself. Here for pointing out the freedom one to buy a gun was indirectly hit the communism. I mean gun was not a threat, it was just an expressed how it affects people in all the similar circumstances. I meant, what something was hidden brings more eagerness for us to know about it than those are in the out. So forcing something on people is sometime is a bad idea.

All the actors were good, but apart from the slow screenplay, I liked the idea of this film. There are some other similar films, like how different generations behave and now this is among them, yet not the best out of all of them. Very much watchable, only if you are capable of handling slow drag. If you know this director very well or the fan of his works, you will find it a pretty interesting film. I won't recommend it, but I also won't either suggest you to skip it.

_7.5/10_

This film, screened at Cannes and Toronto, explores economic disparity in China across three eras-1999, 2014, and 2025-highlighted through visuals like clothing and evolving technology. The makeup, costumes, and setting transitions are thoughtfully crafted, making each time period feel distinct and immersive. Strong cinematography and sound design support the storytelling, though minor visual flaws are noticeable.

Despite its visual strengths, the film's narrative struggles in its third act, which feels disconnected from the rest of the story. The plot becomes fragmented, with emotional arcs that feel underdeveloped and scenes that seem unrealistic or unnecessary. These issues affect the overall impact of the film's conclusion, making it less emotionally resonant.

Still, the film offers a valuable message about change, separation, and the lasting impact of life's choices. It reminds viewers that while we may drift apart in pursuit of dreams, there's always a path back home. Ideal for those who enjoy slow-paced dramas with nostalgic themes.

Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)

'Mountains May Depart' Press Conference | Jia Zhangke | NYFF53

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