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In the Name of Ben-Hur

The Asylum

United States of America

English

Italiano

Jonno Davies

Adrian Bouchet

Lucy Drive

Stephanie Beran

Lara Heller

Gana Bayarsaikhan

Marcello Walton

Dylan Jones

Henry Douthwaite

Michael Bott

Alan Calton

Jo Marriott

Jason Beeston

Peter Ormond

Lucy Clements

Aine Graham

Tammy Klein

Mark Atkins

Chris Cano

Eliza Swenson

Paul Bales

David Michael Latt

David Rimawi

Erica Steele

Christian McIntire

Natalie O'Connor

Nicole Saunders

Virginia Popova

Kailee McGee

Michael Hardman

Cristian Majer

Lisa Ries

Glenn Campbell

Joseph J. Lawson

Sandell Stangl

Gwen Evans

Glen Lean

Robert Lease

Vincent Todd

Jess Haas

Orlando Ordonez

Derek Plough

Phillip Scott

Marc Spicer

Scott Wheeler

Joaquim Barreto

Gemma Lawman

Mark Quod

Tiffany Kristie Cruz

Dilwyn Parry Jones

Giedre Apanaviciute

James Battrick

Phillip Escott

Jane Lambert-Mason

CinemaSerf

This is another one of those low-budget, dialogue heavy, movies that probably serves best as a training exercise for just about everyone before and behind the camera. Most of the technical folks behind seem to do adequately at presenting this contrived drama, but those responsible for the “creative” elements have little, if anything, to shout about. The Roman legions are persecuting some rural farmers when they are protected by a big burly stranger. That intervention only serves to irritate the commander though and so the locals try to convince this man to stay and help them, else he will go on his merry way and they will all be bruschetta. With the feisty but pretty hapless “Adrian” (Jonno Davies) first amongst the villagers and persistent, their visitor (Adrian Boucher) eventually decides to stay and, well you can join the very big dots from here. What it does do is suggest that those making it had fun. Dressing up? Yep. Rolling around in the mud hitting folk with sticks? Yep. Pretending to be Charlton Heston? Yep. The closing scene with “Cyprian” (Alan Calton) is the epitome of cinematic serendipity and all-in-all this is pretty feeble. Still, everyone has to start somewhere and maybe the next project any of these work on might benefit from their filmmaking learning curve that begins here. It passes the time, but you will never recall it - even if you were in it.

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