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The Devil Is a Woman

Paramount Pictures

United States of America

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Marlene Dietrich

Lionel Atwill

Edward Everett Horton

Alison Skipworth

Cesar Romero

Don Alvarado

Tempe Pigott

Francisco Moreno

Max Barwyn

John George

Eumenio Blanco

Eddie Borden

Jill Dennett

Luisa Espinel

Lawrence Grant

Hank Mann

Edwin Maxwell

Kewpie Morgan

Stanley Price

Donald Reed

Constantine Romanoff

Henry Roquemore

Charles Sellon

Morgan Wallace

John Leipold

Heinz Roemheld

David Hertz

Oran Schee

Lucien Ballard

Dot Ponedel

Herman Hand

Josef von Sternberg

Pierre Louÿs

John Dos Passos

Travis Banton

Sam Winston

Emanuel Cohen

Hans Dreier

Very few aesthetic delights of the post-Code era tantalize and linger long afterwards in the mind as much as films from the Marlene Dietrich/Josef Von Sternberg partnership, and this, thankfully kept in Dietrich's vault as it was the favourite of her films, is no exception. Though anyone who knows me will readily recall I prefer the twice-Oscar nominated (for 'Morocco' and 'Shanghai Express'), Viennese expert craftsman's silent pictures to those made with the sexpot, this saga of vengeance is also superlative and well worth both purchasing and re-watching. Paramount caved in to pressure by the Spanish government, who hated the way Pierre Louÿs' novel portrayed the Spanish police, and actually destroyed the original print. Thankfully Dietrich's fear that her favourite film would otherwise be lost meant it was extremely well-preserved, and I saw my copy as part of a superlative DVD boxed set of six of her films that I've had for a few years now.

CinemaSerf

Marlene Dietrich is on great form as the manipulative "Concha" in this engaging, risqué, comedy drama set in Spain at the turn of the 20th century. It is related by Lionel Atwill's "Pasqualito" who regales the young "Galvan" (Ceśar Romero) with tales of her beauty - and of her selfishness; with a solid warning that he ought to give her a wide berth. Promising to do so, he promptly falls into her web of temptation much to the chagrin of his friend and, ultimately, himself! This is a different take on the femme fatale role. "Concha" is not duplicitous, she is clearly untrustworthy and unreliable - but she still manages to captivate this young man as easily as she did his older friend many years earlier. What is about her that makes her so alluring, that makes men so vulnerable to her charms? As ever with Josef von Sternberg's direction of this actress, the camera lingers on her expressions, her mannerisms and her smile - and it loves it. The whole thing is lit to show the lustre from her skin, her smile and the glint in her character's eye that ought to signal to any sane person to stay well clear (even when she is dressed as a nun!). Alison Skipworth chips in well as her mother and the fact that there are few others in this film further intensifies the potency of the efforts from the leading three for a relatively short, but tightly packed, 80 minutes. Her dance is the stuff of cinema legend (even if the censors got to it) and I really quite enjoyed this film.

Marlene Dietrich: If It Isn't Pain (Deleted number from "The Devil Is a Woman")

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