Drama

Cléo de 5 à 7

Rome-Paris Films

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France

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Cléo from 5 to 7

Corinne Marchand

Antoine Bourseiller

Dominique Davray

Dorothée Blanck

Michel Legrand

José Luis de Vilallonga

Loye Payen

Renée Duchateau

Lucienne Marchand

Serge Korber

Robert Postec

Jean-Luc Godard

Anna Karina

Emilienne Caille

Eddie Constantine

Sami Frey

Danièle Delorme

Yves Robert

Alan Scott

Georges de Beauregard

Raymond Cauchetier

Jean-Claude Brialy

Jean Champion

Fernande Engler

Jean-Pierre Taste

Arthur Brunet

Agnès Varda

Bernard Evein

Carlo Ponti

Alyette Samazeuilh

Jean Rabier

Jacques Maumont

Alain Levent

Janine Verneau

Paul Bonis

Pascale Laverrière

Liliane de Kermadec

Edith Tertza

Aïda Carange

Bernard Toublanc-Michel

Roger Scipion

Jean Labussière

Julien Coutelier

Marin Karmitz

Roger Robert

Aurore Chabrol

Jean-François Adam

Bruna Drigo

When I think of interesting filmmakers, the world over, whose movies are always a pleasure to watch, I thank God every day for Agnès Varda. I had her '4 Films by' Criterion boxed set, seemingly forever, left unwatched, and I don't really know why. Perhaps I felt her films wouldn't excite me enough, I don't know. I certainly enjoy foreign, and French, filmmaking enough. Maybe it was because she was female, I don't know. I hope not, but I'm simply being honest. Sometimes I'm apprehensive about starting to investigate the works of a director who's different from me: Female, non-English, non-Caucasian. I think it's difficult for me to start, because I'm afraid that I won't be able to fully emphasize with their sphere of reference, and thus won't be able to either appreciate or enjoy the filmic experience as much as I should. Once I start, and watch that first film I see of theirs, I'm fine. But until that point, it's truly a challenge.

My university library had her two recent critically-acclaimed films, 'The Gleaners and I' and its sequel, on one DVD, and one of my favourite critics, Roger Ebert, had made a 'Great Movie' article about the original. So I gave that series a viewing, each film a separate night, and I fell in love with her as a person, and found that her films were not going to be a challenge for me at all. Thus I then turned to my previously-imposing, aforementioned boxed set, and went through it chronologically.

This, the second film of the set, was extraordinary, basically a real-time cinematic exercise of a lady who is waiting for the results of a biopsy, and thus wondering if her quality of life is going to be seriously challenged or not. In it, as I've found in all of her films so far, there's an extraordinary visual flair, a great and natural storytelling facility present, and you can really tell that Varda both loves people and is glad to be alive, and it shows in everything she does. If you are in a similar boat, and are reluctant to investigate Varda's works, please do yourself a favour and don't hesitate any longer. Appreciate this extraordinary woman and her work while she is still alive. You will never be the same.

CinemaSerf

It's actually quite hard to write an objective review about this film. Why? Well, that is because the eponymous singer (Corinne Marchand) has a personality that offers us very little to like. She is a hypochondriac who is obsessed with the thought that she might have cancer. Desperate for a second opinion, she consults a mystic and then we follow her for the remainder of her afternoon whilst she awaits the results of medical tests. In many ways it adopts a video diary sort of format and that means there is plenty herein that isn't the least interesting. Like with most of our daily routines, there is not that much of interest going on. She meets her lover, José (José Luis de Vilallonga) an unsympathetic man well used to her behaviour and a soldier "Antoine" (Antoine Bourseiller) who is enthralled by her, but who is also facing deployment in the soon to be independent Algeria. I liked the style of the photography. It has an intimacy to it. The score from Michel Legrand (who also features playing piano) also adds a richness to this, but for the most part this is quite a curiously dry observational effort from Agnès Varda. If you can see it on a big screen then do try - on a smaller one it can struggle to retain the attention a little.

Cleo from 5 to 7 / Cléo de 5 à 7 (1962) - Trailer

Cleo from 5 to 7 stair clip

cleo 5 to 7

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Cléo from 5 to 7

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Cast

Corinne Marchand

Antoine Bourseiller

Dominique Davray

Dorothée Blanck

Michel Legrand

José Luis de Vilallonga

Loye Payen

Renée Duchateau

Lucienne Marchand

Serge Korber

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