Drama

History

Une affaire d'honneur

Gaumont

France 2 Cinéma

France

Français

The Edge of the Blade

Roschdy Zem

Doria Tillier

Vincent Perez

Guillaume Gallienne

Damien Bonnard

Noham Edje

Pepe Lorente

Myriem Akheddiou

Eva Danino

Nicolas Gaspar

Iman Perez

Manda Touré

Christophe Seureau

Karine Silla

Marc Vade

Sidonie Dumas

James Canal

Stéphanie Seilhean

Lucie Baudinaud

Sylvie Lager

Michaël Laguens

Jean-Philippe Moreaux

Madeline Fontaine

Alexandra Becquet

Justine Fiorito

Lucrèce Touret

Charlotte Renault

Pierre-Emmanuel Chatiliez

Thibault Goupil

Flora Kuentz

Eliane Lorthiois

Warina Contreras Ramos

Lucien Balibar

Florian Cornet

Olivier Guillaume

Nicolas Moreau

Olivier Touche

Thomas Pichon

Paul Bourcart

Lisa Girardeau

Eva Loncke

Aurelie Lajoux

Jacob Rogers

Pierre Carbonnier

Michel Carliez

Vincent Haquin

Pennanec'h Julien

Marie Sergeant

Stéphane Aupetit

Rémy Barbot

David Bigard

Hugo Bouhier

Thibault Bru

Alexis Cohen

Carl Demaille

Guy Ferrandis

Clémence Gillard

Charles Lagorce

Angèle Laroche

Alan Le May

Marin Payot

Gwendal Quistrebert

François-Xavier Walter

Marc Wilhelm

Clément Bottier

Maryna Zavelia

Sacha Galperine

Evgueni Galperine

Frédéric Balmer

CinemaSerf

With the twentieth century looming, duelling was banned in France. However, as many still considered it the only honourable way to settle disputes between gentlemen, it still went on pretty much unfettered. Swordsmanship skills were still highly sought after, and one such master “Lacaze” (Roschdy Zem) attracted many to the school of his friend “Tavernier” (Guillaume Gallienne). His naive nephew, “Adrien” (Noham Edje), meantime, has taken a shine to a young lady and when that leads to an altercation with “Col. Berchère” (auteur Vincent Perez), it seems the latter man is determined to demand reparation. Facing a fairly hopeless task, he turns to his uncle for help, but what chance he can do much to help in the forty-eight hours allowed before the fight? On the other side of the city, feminist “Astié” (Doria Tiller) is fed up being told that she can’t wear trousers without a prefectorial edict! She writes pithy and sarcastic letters to the newspapers, but is usually derided by the likes the pompous publisher “Massat” (Damien Bonnard). Hearing of the duel, and of it’s subsequent result, she decides that there is no reason why women can’t demand satisfaction, so challenges “Massat”. Of course he cannot fight a woman, but this starts in motion a scheme that might see “Lacaze” exact his own form of retribution - one of a juicily humiliating kind. I quite enjoyed this dramatisation as it quite successfully ridiculed the sexism that existed at the time, and the nonsensical notions of “honour” amongst cowards, thieves and bigots. Tiller delivers engagingly as she mixes her politics with a sexy femininity and a decent right hook; Zem hasn’t much to say but maybe represents the last few remnants of what might once have been called chivalry and the production design provides for a convincing setting for épée, pistol and even the sabre to be rattled. There’s a tiny bit of romance, but not enough to intrude as we watch some occasionally quite impressive demonstrations of swordplay - complete with affectations, acrobatics and flamboyance.

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